Caravaggio: A Life Sacred and Profane by Andrew Graham-Dixon, Norton, 2011
Caravaggio, brawler, pimp, murderer, fugitive from justice. Basically your wouldn’t want to meet him in a dark alley kind of man.
He was also (like Kit Marlowe) an artist of startling quality and originality. A painter of lush paintings of horrific realism and originator of the Mannerist style.
It’s powerful work, Caravaggio’s and not surprisingly as you read his story, it can be a bit queasy making.
Caravaggio fell out of favor with the art establishment until the twentieth century. (It happens. You couldn’t give away Vermeers until the late nineteenth century.) What changed? Difficult to say, though Graham-Dixon notes that Caravaggio’s style fits in well with the son et lumiere fashion that movie making exploits (there is a good deal of worthwhile ink spilled on Martin Scorcese). Continue reading